Simona Semenič

we, the european corpses

Directed by: Sebastijan Horvat

Première: 5 June 2016


On a spring day in the academic year 1998/99, in the big theatre lecture hall of the Academy of Theatre, Radio, Film and Television (AGRFT) in Ljubljana, a platoon of directors and dramaturgs, together with their professor Jovanović, was creating an inventory list of professional competencies. The proposed questionnaire included a category of role models and idols that an artist simply must have. “Who are your role models and idols?” asked professor Jovanović. The dramaturgy student Simona Semenič immediately responded: “Monica Lewinsky!” Jovanović was agitated by the answer: “No joking, let’s get serious, if you intend to screw around we might as well go home right now!” “But I am serious,” replied the unperturbed Semenič. “Sometimes it truly takes balls for the appropriate and satisfactory oral support to come through to the most intimate and most vulnerable macho region of the president of the biggest imperial power.” Jovanović stared at Simona Semenič, as if the ultimate educational phrase would fly out of his mouth, but he couldn’t find it – all was silent. If not before, it was probably then that he realised the times truly have changed. Times are always a-changing. Sometimes for the better, sometimes for the worse. Such are our feelings. “What do you think, Simona?” he was in the habit of asking. Dušan Jovanović was her professor and Semenič spoke publicly on several occasions about how much it was possible to learn from his creative theatre suggestions and his drama analyses.

One of the agents that inhabits time as an occupier is fashion. Fashion is convinced that it knows the most about a certain time. That it manifests a time, so to speak. Fashion is the militant and invasive economics of time and, in 1975, on the invitation of Dominik Smole, the artistic director of the Mladinsko, Dušan Jovanović, as an intentionally mischievous derivative of the then still popular partisan meetings, made a drama of its cold vocabulary: an inventory of military fashion through centuries. Victims of the Bang-Bang Fashion. It was this performance that announced Jovanović’s entry to the post of the artistic director of the Mladinsko Theatre, which he and his colleagues turned into the most important theatre chapter of the previous century around these parts. On the 60th anniversary of our theatre, Simona Semenič, undoubtedly the most radical Slovenian playwright, will paraphrase Victims of the Bang-Bang Fashion to create a new drama text. A performance will be created.



Damjana Černe -
Brane Grubar k. g. -
Željko Hrs -
Alja Kapun k. g. -
Boris Kos -
Janja Majzelj -
Anja Novak -
Ivan Peternelj -
Stane Tomazin -
Matija Vastl -
in Jožica Klančišar k. g., Andreja Škof k. g., Dare Škof k. g., Nevenka Pečlin k. g. -
  show all credits  
Simona Semenič

Sebastijan Horvat

Dramaturgy and adaptation
Milan Marković Matthis

Set design and video design
Igor Vasiljev

Costume design
Belinda Radulović

Drago Ivanuša*

Anja Bornšek

Light design
Matjaž Brišar

Sound design
Marijan Sajovic

Language consultant
Mateja Dermelj

Make-up artist
Nathalie Horvat

Video mapping and programming
Dušan Ojdanič

Director's assistant
Noemi Veberič Levovnik

Dramaturg's assistants
Varja Hrvatin (študijsko) in Nika Švab (študijsko)

Set designer's assistants
Noemi Veberič Levovnik in Nika Rupnik

Stage manager
Janez Pavlovčič

*V predstavi smo uporabili tudi odlomke skladb po izboru igralcev.

There are no shows yet.