| Premières 2011/2012 |
| Reprises 2011/2012 |
| Amado mio |
| A Clockwork Orange |
| Šumi |
| Damned be the Traitor of his Homeland! |
| The Vampire |
| A Chrysanthemum on the Piano |
| Eda – the Rusjan Brothers Story |
| Crime and Punishment |
| Totally Over You |
| Mišmaš Bakery |
| Love to Death |
| Kekec |
| Pippi |
| Nijinsky's Last Dance |
| Oliver Twist |
| Scandal in the Valley of St Florian |
| Diva saint mother bitch |
| Mephisto |
| Overflight Festival |
| Archive |
Vaslav Nijinsky (1890–1950) was a Russian ballet dancer and choreographer of Polish origins, but schizophrenia pre-empted his brilliant artistic career in 1919; what followed were three decades of hospitalization in various psychiatric institutions. Marko Mlačnik’s production begins from the idea that dance, ballet, movement are the very basis of the Nijinsky personality phenomenon. Are dancers, like Martha Graham said, truly “God's acrobats”? Does the thin line between a genius and a madman exist at all? What is the body’s response to schizophrenia and long-term isolation? Produced by special arrangement with Playscripts, Inc. (www.playscripts.com)
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