| Premières 2011/2012 |
| Reprises 2011/2012 |
| Amado mio |
| A Clockwork Orange |
| Šumi |
| Damned be the Traitor of his Homeland! |
| The Vampire |
| A Chrysanthemum on the Piano |
| Eda – the Rusjan Brothers Story |
| Crime and Punishment |
| Totally Over You |
| Mišmaš Bakery |
| Love to Death |
| Kekec |
| Pippi |
| Nijinsky's Last Dance |
| Oliver Twist |
| Scandal in the Valley of St Florian |
| Diva saint mother bitch |
| Mephisto |
| Overflight Festival |
| Archive |
In her project, Maruša Geymayer-Oblak treats a theme that is close to her, yet distant and unknown to the majority of the spectators who only witness perfected results of a several months of research: the actress and her creative process. Geymayer-Oblak tackles it with a lot of humour, very thoughtfully and with a carefully measured dose of self-deprecation so the spectator is privy to an uncensored insight into the creative intimacy of the artistic profession most closely tied to a collective and “buyers”. The spectators can thus peek into the backstage, where a process of rehearsals is revealed to them, along with the relationships in theatre, while the witty dialogue is complemented with excellent singing numbers (music by Silence) and video by Dafne Jemeršić, one of the most acclaimed authors of videos and commercials in Slovenia. |
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